Why are you looking at Motion Picture Licensing?
Capability
Service linesMOTION PICTURE AND VIDEO DISTRIBUTION · MEDIA BUYING AGENCIES
Work mix: 100% prime · 0% sub · primary NAICS 512120 / PSC T015 PHOTO/MAP/PRINT/PUBLICATION- GENERAL PHOTOGRAPHIC: MOTION
Where they win
6 agenciesMostly sole-source · 75%
75% of Motion Picture Licensing’s obligations are not openly competed — these contracts typically renew with the incumbent rather than going to recompete.
Agency buyer map
6 buyersRecompete exposure
NoneLargely sole-source — these contracts typically renew with Motion Picture Licensing rather than being openly recompeted.
No incumbent recompetes detected in the next 24 months.
No incumbent recompetes detected in the next 24 months.
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Get Motion Picture Licensing’s recompete exposure, top agencies and teaming history
The outlook above is free to read and verify — an estimated $2.9M in play. Enter a work email for two figures the page cannot show.
“After 35 years in federal contracting, I've seen what separates the firms that win from the ones that wonder why they lost. What SCOUT does is put the kind of competitive and market intelligence in front of BD teams…”
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Frequently asked questions
What federal contracts does Motion Picture Licensing hold?
Motion Picture Licensing (UEI NLUCCE8EKE26) shows $2.9M across 9 award actions in SCOUT’s public USASpending-backed profile, with Department of State (DOS) as the top buying agency. Totals cover federal prime awards ≥$100K in the rolling window.
Which agencies does Motion Picture Licensing work with?
Motion Picture Licensing’s firm-wide obligated mix is led by Department of State (DOS) (40%), Department of Veterans Affairs (VA) (38%), Department of Transportation (DOT) (13%).
Data: Showing contracts ≥ $100K from federal procurement records (FPDS-NG, SAM.gov, and related repositories), normalized by PrimeRFP SCOUT. Each row keyed by Award ID (PIID); task orders appear as independent rows. Explore it live — $90 Pilot →